Grizmas & DIME:

Instructor Spotlight: Bobby DeLisle

Tell us about your background; how did you get started working in the music industry? What inspired you to work in music?

My Dad is a Jazz drummer who had played in the Army Band and gigged around town professionally. While I didn’t initially want to play music, once I stopped playing sports in Middle School (believe it or not, I was much smaller than the other kids and kept getting injured) I wanted something to fill my time. Music seemed like a natural solution, but I didn’t want to play drums, so I chose the bass because of their similar roles. When I started listening to Jazz, I quickly found that I was much more interested in figuring out how each song was created, as well as finding out who the composers were. This led me to pursue composition as my main course of study and fueled my passion for music history.

What do you do when you’re not working at DIME?

Besides teaching at DIME I also teach Elementary Orchestra. I love teaching music and could not imagine myself doing anything else. Outside of teaching and composing, I love spending time with my wife and daughter. Our favorite things to do include going to the library, visiting the zoo, and swimming.

What is your favorite class to teach at DIME?

My favorite class to teach at DIME is also the only class I teach, which is Intro to Music. I think that my favorite part of teaching this class is when one of my students falls in love with a song that they probably would not have otherwise heard or looked for.

What has been your proudest moment as a DIME Instructor? 

I am always proud of the progress I see from my students throughout each semester. Though I can’t pinpoint any specific moment, I am always so proud to watch my students progress through their degree program. I love that I run into my past students all the time and can hear about the successes they are experiencing!

Who are your biggest musical inspirations?

There are too many to name, but the musicians that I come back to constantly are Thelonious Monk, Igor Stravinsky, and Radiohead (as anyone who has taken my class knows).

What are you listening to right now? Do you have any recommendations we should check out?

Currently I’m listening to Beirut’s “Gallipoli”, Hozier’s album Wasteland, Baby!, Johann Johannsson’s album Orphee, Gary Clark Jr.’s new album, Danger Mouse and Karen O’s new album, Brad Mehldau’s album After Bach, and Rostam’s album Half-Light.

Open House – Saturday, June 22nd 1-3pm

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DIME Detroit’s Open House is a great opportunity to meet our instructors, staff, students, and industry-professional faculty. This time, we will have a presentation about DIME, tours of the building, live performances from current students, as well as onsite admissions representatives to help you with your application and answer questions about our audition process.

DIME Detroit Open House
Saturday, June 22nd, 1-3pm
1265 Griswold, Detroit, MI 48226

Register Now

If you have any questions, please contact us at 313-223-1600 or email info@dime-detroit.com

Talent-Based Scholarship Opportunity

Students that audition for one of the MSU Denver at DIME Detroit degree programs on or before our audition day on Saturday, April 4th, will be considered for a new talent-based scholarship in the amount of $1,000! This scholarship will be applied towards the students first year of study with us here at DIME.

Scholarships are renewable to those who:
Maintain at least a 3.2 GPA
Are recommended for renewal by the music faculty
Participate and engage in DIME student shows

To qualify, students must complete an audition on or before April 4th for an MSU Denver at DIME program in Commercial Music Performance (guitar, bass, drums, vocals), Songwriting, or Music Industry Studies. Audition requirements for each program can be found at the bottom of the page for each of the concentrations here.

If you are interested in setting up your audition and being considered for this new talent-based scholarship, please fill out the form at the link below. 

Music Income Streams During a Pandemic

If you were a performing artist in 2019, the chances are you haven’t been in 2020. It’s been tough, hasn’t it? But don’t despair – re-evaluating what you do is a periodic necessity regardless of whether it’s been enforced by a global pandemic or not. Let’s look at five different ways you could earn money through music while the venues are dark…

Start a YouTube Channel

You’ll have doubtless seen clickbait promising failsafe tips for earning a fortune on YouTube. Yes, it is possible to earn, but it’ll take time and no small effort. Monetising your YouTube channel requires you to hit certain milestones and criteria before converting views into dollars:

Subscribers: 1,000 subscribers watching 4,000 hours of video in a 12-month period are the magic numbers for earning money via your channel. You’ll also need a linked AdSense account. So, how do you gain such a following? Well, there’s no single right answer, but create good, regular content and they will come. Of course, established artists are always likely to draw their own fans to their channel, but many famous YouTubers are famous because of YouTube – it’s a meritocracy determined by quality content.

Content: keep it short and keep it regular – succinct, meaningful videos hold viewers’ attention better. What will your angle be? Sponsored gear reviews? Artist interviews? Your own music videos?

It’s worth investing in some basic kit to improve your production quality, such as a vlogging camera, mic and lighting. Entry-level gear has improved so much that there’s really no excuse for poor quality audio and video these days.

The hidden bonus is that you’re up-skilling as you go, developing your Final Cut Pro X or Adobe Premier chops. Just like those gigs you practiced for; your latest video will always be an improvement on your previous!

Performance Royalty Income
DIME Online’s Head of Music Entrepreneurship, Tim Ferrone advises you take some time to ensure you’re properly registered for performance royalty income.

Tim asks, “Have you ever played on a recording that has been broadcast somewhere, be that on the radio, television, or even via streaming platforms, for example? If you have, then you might not know that as a musical performer, you should be due broadcast performance royalties for your efforts.

“If you haven’t received any corresponding income, then it could well be that you are not correctly registered on the recording itself, or with a suitable collection society (such as the PPL for example) whose role it is to issue licences for this type of musical usage, and then distribute royalties to the relevant musicians accordingly. You can learn a whole lot more about this topic on many of DIME’s courses.

“Now is a great time to ensure that your performance royalty house is in order; otherwise you might just unknowingly be leaving a sizeable chunk of change down the back of the sofa…”

Online Tuition

There’s great pleasure to be found in teaching your instrumental skills to others and with the use-ability of various video conferencing platforms, it’s one of the easiest income streams to facilitate. Skype and Microsoft Teams are both free to use and Zoom works very well for saving video lessons although you’ll need a paid plan to run lessons longer than 40 minutes.

It’s also well-worth registering with a recognized awarding body such as RSL to add kudos to your teaching profile. You’ll gain access to ready-made syllabi as well as support and training opportunities plus exposure to clients via their database.

Digital Sales

One of the great things about selling digital downloads is that once in the public domain, there’s no need to replenish stock. That’s not to say there aren’t fees involved, however, as digital download services will likely require either an annual subscription fee or take a slice of your sales.

The obvious product is your music. Bandcamp is great for giving you, the artist control over the price of your album, so you can undercut other services, safe in the knowledge that you’ll take a bigger percentage anyway.

How about selling your sheet music? For example, PDFs of guitar tabs or lead sheets of your songs can be hosted on your website with services like Easy Digital Downloads or Big Cartel (which lets you sell up to five products for free).

Although famously poor in terms in remuneration per stream, you should still be present on Spotify, Amazon and Apple Music. Services like Tunecore and CDBaby take care of the online distribution of your music online to the big players and pass the royalties to you. Depending on which platform you choose, you’ll either pay an annual fee and keep 100% of the royalties, or a one-time set-up fee followed by a revenue share.

Patronage

A single payment for an individual product is one thing, but repeat business can be even better and Patreon.com is great for enabling this. In a nutshell, Patreon lets you connect directly with fans to offer exclusive content or rewards through a tier system of monthly subscriptions. For example, a dollar a month might give access to exclusive podcasts or livestreams you create, while a few extra dollars might be rewarded with personal shout-outs in your videos or merch such as signed guitar tabs or setlists.

More than ever, fans are interested not just in artists’ music but their whole brand, their creative process, even their ethics, and patronage helps turn your fans into a family of supporters. Just remember to keep your subscribers happy with regular content so they’ll want to keep supporting you!

 

DIME Students Raise Money for Detroit Impact Center

In December 2021, OU@DIME students presented “Playing It Forward,” a hybrid concert benefiting the Detroit Impact Center, a nonprofit that works with westside Detroit youth to teach, mentor, guide, motivate and encourage them. The event raised over $1500 for the DIC.

Playing It Forward

Playing It Forward at DIME

The concert was presented in-person and via Zoom at 8 p.m. on Friday, Dec. 3 at The Underground, Detroit (located at 1265 Griswold Street) — was developed by students in the music industry workshop project class who were tasked with conceptualizing a project and working together in a group to complete the specified and realistic project during the fall semester.

“This class is all about hands-on learning with students getting real-life music industry experience in planning, promoting, prepping, and executing the event,” said Drew Schultz, OU@DIME faculty member. “It’s the best way for students to learn and experience what it’s like to work in the music industry.”

OU and DIME Detroit partnered in 2020 to provide Bachelor of Arts degrees in music performance, songwriting, music production and music industry studies to students wanting to pursue a career in commercial music.

“As a first year OU/DIME student, I wasn’t sure what to expect,” said Music Industry Workshop Project student Sophia (Pixie) Gabriel. “Being a songwriting major, I haven’t learned too much about putting on events and I’ve always seen it as a weakness. Drew threw us right into planning, we took it step by step, and I feel like I’ve already learned so much that I can use in my musical career. I’ve learned that consistency in promotion is key, as well as variety in how you communicate with your audience.”

Guitar student Jay Racey said that “before taking this class, putting together an event like this would have been overwhelming. The collaborative aspect of our student group has made the process seem more doable. I’ve never put together anything like this, so figuring out all of the steps we need to take, one by one and in advance, has made it a lot less intimidating.”

“Being fairly new to the music scene, this event is something that I’ve only ever dreamed of working on” said freshman Music Industry Studies student, Neisa Moumdjian. “The MIWP class and event planning process has opened my eyes to the wonders of working in the music industry and collaboration. Being a part of an event that is for such an amazing cause is truly inspiring.”

The “Playing It Forward” hybrid benefit concert included acoustic/MTV Unplugged-style performances from the artists involved.

In addition to students Riley Grant and Jahleel Hunley from the Detroit Impact Center, the concert featured a varied list of acts from Detroit and Colorado, including pianist, singer and songwriter Delaney Natke; MC / Producer and DIME-Detroit alumna Frankie P.; Jazz-inflected dreamy Pop group Fun Machine; rock band Alavon Black; pop-punk band Killing Pixies, and alt-rock/hickpop band The Beekeepers.

“It is an exciting time for Detroit Impact as we are celebrating thirty years of providing these programs and services to the community,” said DIC founder Calvin Colbert, a songwriter in his own right who worked in the 70s with Motown / Westbound Records vocal group The Fantastic Four. “Collaborating with Oakland University and DIME-Detroit is an opportunity for us to expand. Although our mission statement specifies the west side of Detroit, our aim truly is without boundaries as we are looking to tap into the life of any young person who wants an opportunity to make a difference. Our interests are aligned with the students in this class and ‘Playing it Forward; creating sustainability into our future, stabilizing our community centers and providing opportunities to expand the horizons of our young people. We want to encourage everyone to support by logging into the virtual event or attending in person.”

Artists performed via Zoom from all over the country, as well as live at DIME’s, Underground Detroit, a live music venue. In-person audience members will also saw live-streamed performers projected onstage, and audience members attended via Zoom saw the live acts streamed from the Underground stage.

In the spirit of the holidays, the theme of the event was gratitude; each artist performed a song featuring a message of thankfulness and told a relevant story from their own career so far.

Summer Session 2021

DIME is happy to announce our Summer Sessions 2021 will take place in-person at DIME Detroit, 1265 Griswold Street, Detroit, MI48226 – on July 26 – 30, 10am – 4pm.

Students will learn and be actively involved in songwriting, music production, performance, music business and masterclasses.

This year is going to be better than ever!

Sign up here:
Or email sarahclayman@dime-detroit.com for more information.
Summer School

Fall 2021 Auditions Now Open

DIME is auditioning for the Fall 2021 Semester at OU@DIME!

If you are interested in applying to the program you will need to apply to OU and arrange your audition with DIME.

 

WHAT TO EXPECT

Your audition will be held by a faculty member and will consist of an interview and a musical audition – the whole process will will take approximately 45 minutes.

The interview is an informal discussion, where we would like to hear about your previous musical training, past live and recorded performances any specific interests about the industry and your music goals and career aspirations.

The audition consists of demonstrations of performance, musicianship, composition/improvisation, and accurate understanding of musical terminology and notation.

This process is for DIME as much as for you.  We want to learn about you and see where you are in your musical journey.  Plus, its a chance for you to ask us questions, to see if DIME is the right program for you.

Both application to OU@DIME and the audition process is free.

You will hear within 5 days if your audition has been successful.  If not, we will recommend some areas of improvement and you will be offered another audition day.

 

Book your audition today! info@dime-detroit.com

Essential Lockdown Guitar Maintenance

By Tristan Seume, Professional Guitarist & DIME Online Learning Technologist

Everyone knows that professionalism includes taking responsibility for the things under your own control. And whilst live music is taking some time off, now’s the perfect chance to take stock of your gear, making sure it’s fit for purpose and ready for when you’re back on the road.

It feels good to show your equipment some love and attention, and there’s no better time than the present to do so. Just like those niggly home DIY jobs you never seem to get around to, here’s our guide to getting back on top of all things guitar-related…

Change Your Strings

I’ve yet to meet a guitarist who relishes to the task of changing strings and I expect most put it off for a couple of reasons:

1)  it’s a pretty boring job and;

2)  no-one much likes paying for consumables.

Everyone wears strings out at a different rate – some people kill a set in one gig; others make theirs last months – but, as a rule, if you can’t remember when you last changed ‘em, then change ‘em! They’ll feel fresh like shaving with a brand-new razor. There are practical reasons for doing this too: tired, old strings don’t hold their tune well, and the intonation becomes vague. Lastly, buying the cheapest strings can be a false economy. By paying double for premium coated strings you’ll easily get more than double the lifespan.

Clean Your Fretboard

While you’re in the process of changing strings, now’s the perfect time to clean your fretboard too. Over time, your fretboard will have accumulated debris like sweat and dust from those diligent hours of practice. Restoring your fretboard will make it feel slicker, faster and altogether more pleasant to play. Take a microfibre cloth, wipe it clean of debris, before applying some proper fretboard oil in small, circular motions between the frets. Never use household cleaning products, as these can cause damage to your guitar.

Fix Those Rattles & Hums

It’s amazing what we can put up with when we’re too busy. You’ve become blind to that mysterious rattle you get when you play one particular note, or a wobbly jack socket or crackly volume pot. Time to sort it out!

  • Using a spanner, make sure the jack socket is screwed in nice and tightly – continual finger-tightening never works for long.
  • Make sure all the screws in your guitar are tight, such as those around the scratch plate, jack socket and pickups. This simple task can sometimes cure an annoying buzz easily.
  • Crackly volume pot? A small amount of switch cleaner can sort this out, although badly soldered contacts might need addressing too, if that doesn’t fix it. Depending on your guitar, access the pots by removing either the scratch plate for Fender-style guitars, or via the back plate for Gibson-style instruments. Tip: when removing the tiny screws, stick them all to a piece of masking tape so you don’t lose them!
  • Check for fret buzz up and down the neck. Your guitar’s neck should not be dead straight; it should have a small amount of relief (backbow) to allow the strings to vibrate freely along their whole length. Try the ‘tap test’ by placing a capo at the first fret, fretting the strings at the 12th and tapping them individually around the 5th. There should hear a tap telling you there’s a gap. If not, your action may be too low causing fret buzz. An 8th of an anticlockwise truss rod turn could help. Setting up your guitar’s action is a whole topic in itself, so make sure you do plenty of research before steaming in if you’re unsure.

How to Stay Creative During Covid-19

By Mike Sturgis, Head of Education, DIME Online

As COVID-19 continues to limit professional opportunities for those involved in the music industry, the response from many has been to focus even harder on creative endeavours.

And while we can sometimes have moments of inspiration come to us in organic ways, creativity is often something that needs to be nurtured proactively. To get some thoughts on this, we’ve reached out to some of our talented graduates to see how they have used this unprecedented time to their advantage with regards to their creative output. We’ve distilled some of their wise words down into the following tips which will hopefully inspire and motivate you.

Consolidate

Having more time on your hands due to C19 can be turned to an advantage when it’s used for strengthening your specialist skills. DIME graduate Emanuele Marchetti is a busy drummer on the London music scene who seized the opportunity to redouble his efforts in the practice room:

“My last big TV show was on March 19th, right before the UK went into a lockdown. My life before C19 was pretty busy, spreading myself between different bands, gigs and teaching. Therefore, the impact of the loss of work due to the virus has been really hard and I had to try to find any solution to keep myself occupied and creative at the same time.”

Emanuele explains how he has used the extra time productively:

“The lockdown has been a sort of reset time from a personal and musical perspective, where I could finally have the possibility to practice and play my instrument every day (something that before C19 wasn’t possible due to lack of time) focusing on styles of music that suit me the most and working on my chops and phrasings.”

Educate

The broad range of skills needed to facilitate a successful career for a free-lance artist always needs updating. In addition to consolidating your specialist skills, you can spend the time learning new things that will help your career or that will simply inspire new ideas. Emanuele has been proactive in this regard and tells us how he’s been extending his skill set:

“Besides the playing aspect, I’ve started building up new skills that include audio and video editing through the use of multi-cameras and software like Final Cut Pro and Logic X. I’ve also been increasing my transcriptions with software like Transcribe and Sibelius. I’ve been using these elements in the creation of tutorial videos and content for my social media channels to share with the drumming community while developing my own brand and merchandise.”

Motivate

Setting short, medium and long-term goals and regularly checking your progress towards each of these can be hugely satisfying and help keep you on track at times when you may feel de-motivated.  However, there may be times when you need to absorb the thoughts, wisdom and encouragement of others to maintain your motivation. Thankfully, there’s no shortage of material out there to help and support, with much of it being available for free. Emanuele explains how being proactive in sourcing this type of information has been a lifeline for him:

“Reading motivational books and watching online webinars has been a huge part of the process as well, because they gave me a better insight of the business side and opened up to a new world of possibilities to help me make it through this tough time.”

Rodrigo Lopes, another of DIME ONLINE’s drum graduates, also cites the importance online webinars in staying motivated: “I recently checked out an amazing online drummer forum featuring (former) DIME ONLINE Head of Drums Gabor Dornyei and other great players. It was really informative and insightful, and it gave me lots of new ideas for my playing.”

Collaborate

Reaching out and collaborating with others on projects is a great way to keep the creative energy going. And while it may not be quite the same as sitting in the same room with someone, connecting online via Zoom or other platforms is becoming more and more the accepted norm for working.

Rodrigo has been repurposing his professional working to the online world and collaborating more with other musicians in this way:

“I started recording with many people from different places and I have had the opportunity of recording more than 15 songs from home in the last few months. Recently, I was invited to record a song and be part of the video clip with two Icelandic musicians, Eyþór Ingi (who represented Iceland in the 2013 Eurovision Song Contest) and Lay Low (famous Icelandic singer).  The song went to number one on many radio stations here in the country. Last Friday I was invited to perform the song live on RÚV, a TV program in Reykjavík.”

Replicate

Creative ideas do not occur in a vacuum. We have all been influenced by the creative output of other people, and it’s how these ideas are re-interpreted and re-expressed that result in a new work. Going back to study and replicate the work of one of your idols (e.g. a solo or a riff) may sound counterintuitive when you are trying to come up with your own creative output, but it’s often the discovery of pre-existing vocabulary that will serve as a catalyst for new . For a musician, you can learn or even steal the ‘licks’ or vocabulary of another artist, but it’s the sound you make, the juxtaposition of ideas and musical context chosen that can make your ‘borrowed’ vocabulary sound original. No one would advocate ‘cloning’ another musician, artist or writer; however, replication of what someone else has done can act as a scaffolding when trying to create something unique. This is particular true when you blend these ideas with the myriad of other influences that you already have. The way you combine all of these countless influences and express them will always be unique, because there is only one you! That said, being too derivative (especially in songwriting) can be challenged in the legal system, so it’s also important to remember that replication needs to be done with a degree of wisdom, respect and caution.

Meditate

The importance of your mental health in these challenging times cannot be overstated. Looking after your own well-being is critical to the creative process, and meditation and mindfulness can be powerful tools for maintaining wellness. It can be difficult to not be overwhelmed or anxious about the future when there is so much uncertainty. Most of us are prone to incessant cogitation that can be counterproductive, and we often need a break from our thoughts. Focusing on our breathing, candle gazing and nature walks are examples of mindfulness-based activities that can lift us out of unhelpful thinking (which is based either in the past or an imagined future) and back to the present moment.  If you can stay present and be the observer of your thoughts (rather than identifying with them) you stand a much better chance of maintaining a state of relaxed concentration where creativity can be optimised.

Alumni guitarist Jess Furneaux had this to say about the importance of well-being in relation to her creative output:

“Ensuring I take time out of my day to do some physical activity is very important. I suggest taking a long walk first thing in the morning or going to the gym for an hour, to get yourself into the right frame of mind and set you up for the day feeling energised and determined. Making sure I eat healthy foods and have at least 8 hours sleep is vital to ensuring I give myself the best chances to concentrate and produce my best. Nobody feels great when they’ve had a late night and eaten leftover pizza for breakfast.”

There are a number of free resources available mindfulness and meditation. An excellent app for this purpose is Insight Timer, which offers hours of well-organised content for no cost and much more for a small fee.